Martin Johnson’s process includes creating multiple works at the same time, and he has built a mighty inventory since his last Richmond exhibit at the Visual Arts Center in 2011. Johnson’s uninhibited process allows him to be more of a witness; reacting when intuition nudges him forward after deciding how to to make his sculptures and paintings structurally sound. The exhibit itself is a metaphor for art exhibits in general. Floating heads will mimic a community of patrons attending an opening. On the floor and suspended from the ceiling will be structures derived from some of the same material as the heads; wire, string, sticks and paint which is then formed into seemingly weightless structures like clouds, crystals, branches and fantastical models of buildings. Patrons, metaphorical and actual, might be awestruck, as the title of the exhibit cheekily suggests.