Filtering by: explorations
Eye to I: Self-Portraits from 1900 to Today
Nov
4
to Aug 18

Eye to I: Self-Portraits from 1900 to Today

  • National Portrait Gallery (map)
  • Google Calendar ICS

Drawing primarily from the National Portrait Gallery’s vast collection of self-portraits, this exhibition will explore how American artists have chosen to portray themselves since the beginning of the last century. As people are confronted each day with “selfies” via social media and as they continue to examine the fluidity of contemporary identity, this is an opportune time to reassess the significance of self-portraiture in relation to the country’s history and culture. The exhibition will feature more than 75 works by artists such as Josef Albers, Patricia Cronin, Imogen Cunningham, Elaine de Kooning, Edward Hopper, Joan Jonas, Jacob Lawrence, Alice Neel, Louise Nevelson, Diego Rivera, Lucas Samaras, Fritz Scholder, Roger Shimomura, Shahzia Sikander and Martin Wong. “Eye to I: Self-Portraits from 1900 to Today” is curated by Brandon Brame Fortune, chief curator, National Portrait Gallery.

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Pop América, 1965-1975
Feb
21
to Jul 21

Pop América, 1965-1975

  • Nasher Museum of Art at Duke University (map)
  • Google Calendar ICS

Despite the wide appeal of Pop art’s engaging imagery, the broader public remains unaware of the participation and significant contribution of Latin American and Latino/a artists working at the same time and alongside their U.S. and European counterparts. The Nasher Museum presents Pop América, 1965-1975, the first exhibition with a hemispheric vision of Pop. The exhibition will make a timely and critical contribution to a more complete understanding of this artistic period.

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sometimes.we.cannot.be.with.our.bodies.
Feb
22
to Aug 7

sometimes.we.cannot.be.with.our.bodies.

  • Fralin Museum of Art at the University of Virginia (map)
  • Google Calendar ICS

Vanessa German is a visual and performance artist based in the Pittsburgh neighborhood of Homewood. Homewood is the community that is the driving force behind German’s powerful performance work, and whose cast-off relics form the language of her copiously embellished sculptures. As a citizen artist, German explores the power of art and love as a transformative force in the dynamic cultural ecosystem of communities and neighborhoods. She is the founder of Love Front Porch and the ARThouse, a community arts initiative for the children of Homewood.

sometimes.we.cannot.be.with.our.bodies. is an immersive installation of sculpture and sound that originated at the Mattress Factory, Pittsburgh, in 2017, and is being reimagined in The Fralin. In the artist’s own words, “this work is a dimensional living reckoning. the living reckoning is bold,erruptive,disruptive work against systems & pathologies that oppress & subvert overt & covert violence onto & into the lives & humanity of marginalized people on this land.” 

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Glenstone Museum
May
20
to Sep 1

Glenstone Museum

Guided by the personal vision of its founders, Glenstone assembles post-World War II artworks of the highest quality that trace the greatest historical shifts in the way people experience and understand art of the 20th and 21st centuries. These works are presented in a series of refined indoor and outdoor spaces designed to facilitate meaningful encounters for visitors.

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The Barbershop Project
Jul
16
to Aug 24

The Barbershop Project

The Barbershop Project is a multidisciplinary arts activation inspired by the performance of styling, art of hair and shop culture. The project is centered around Mighty Mighty: an immersive art installation and fully-functional, fantastical barbershop in CulturalDC’s Mobile Art Gallery. Mighty Mighty is created by artist Devan Shimoyama, barber Kelly Gorsuch and furniture-maker Caleb Woodard.

The site is open Tuesday-Friday from 11am-7pm, and Saturdays from 10am-6pm through August 24th, 2019.

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Mural Festival by AMA
Jul
14
1:00 PM13:00

Mural Festival by AMA

Art Museum of the Americas (AMA) and Hola Cultura (HC), with the support of the DC Mayor's Office on Latino Affairs, invite you to a Sunday afternoon mural festival! Enjoy a free, fun and family-friendly Sunday afternoon of programming highlighting the city’s murals and supporting local artists. The schedule of events can be found here.

This event is free and open to the public.

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Arrange the _ in pairs so that each_ has a _
Jul
9
5:00 PM17:00

Arrange the _ in pairs so that each_ has a _

Arrange the ________ in pairs so that each ________ has a ________ is a participatory exploration regarding the satisfaction of choice. Through the use of audience generated decisions the viewer will be presented with options allowing for a unique outcome.

This performance is inspired by the interests and research of photographer Maggie Flanigan and performance artist Robin Donnelly. Deeply entranced by the ideas of romance and swipe culture, both artists explore ways of perceiving known experience in the digital age.

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Drifter History: Works by Chris Mahonski
Jan
12
to Feb 17

Drifter History: Works by Chris Mahonski

  • Baron and Ellin Gordon Art Galleries at Old Dominion Univeristy (map)
  • Google Calendar ICS

Drifter History is an immersive installation in which the artist transforms the gallery into a field of walking staffs. Guests are invited to meander and experience connections between walking and anxieties of environmental change, departures and arrivals, and mixing identities and origins.

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In Dialogue: Paul Ryan, Paintings 1985 – 2018
Jan
7
to Feb 7

In Dialogue: Paul Ryan, Paintings 1985 – 2018

  • Hunt Gallery, Mary Baldwin University (map)
  • Google Calendar ICS

Paul Ryan writes about his 33-year survey, dual venue exhibition on view at Mary Baldwin’s Hunt Gallery and at the Staunton Augusta Art Center galleries in the Smith Center: “The work in this exhibition represents five series of paintings completed between 1987 and 2018. Additionally, two paintings from my graduate school years are included — one from 1985 and the other from 1986 — as this time was vital to my development as an artist interested in aesthetics and art’s conceptual capacity. The title of the show, In Dialogue, refers to my belief that art is always engaged in conversation — with the artist, the viewer, with other art, the art world, and with the larger world. I decided on a synchronous installation rather than a chronological one for two reasons: the exhibition is at two different venues, and a chronological installation would have perhaps suggested too much of a divide, possibly implying a significant break where there is none; and a synchronous installation offers more playful and surprising juxtapositions, though at the risk of the installation looking like a group show.”

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Gordon Parks: The New Tide, Early Work 1940–1950
Nov
4
to Feb 18

Gordon Parks: The New Tide, Early Work 1940–1950

  • National Gallery of Art (map)
  • Google Calendar ICS

During the 1940s American photographer Gordon Parks (1912–2006) grew from a self-taught photographer making portraits and documenting everyday life in Saint Paul and Chicago to a visionary professional shooting for EbonyVogueFortune, and Life. For the first time, the formative decade of Parks’s 60-year career is the focus of an exhibition, which brings together 150 photographs and ephemera—including magazines, books, letters, and family pictures. The exhibition will illustrate how Parks’s early experiences at the Farm Security Administration, Office of War Information, and Standard Oil (New Jersey) as well as his close relationships with Roy Stryker, Langston Hughes, Richard Wright, and Ralph Ellison, helped shape his groundbreaking style.

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Rafael Lozano-Hemmer: Pulse
Nov
1
to Apr 28

Rafael Lozano-Hemmer: Pulse

In the Hirshhorn’s largest interactive technology exhibition to date, three major installations from Rafael Lozano-Hemmer’s Pulse series will come together for the artist’s DC debut. A Mexican Canadian artist known for straddling the line between art, technology, and design, Lozano-Hemmer will fill the Museum’s entire Second Level with immersive environments that use heart-rate sensors to create kinetic and audiovisual experiences from visitors’ own biometric data. Over the course of six months, Pulse will animate the vital signs of hundreds of thousands of participants.

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Unexpected O'Keeffe: The Virginia Watercolors and Later Paintings
Oct
19
to Jan 27

Unexpected O'Keeffe: The Virginia Watercolors and Later Paintings

This rare exhibition explores Georgia O’Keeffe’s watercolor studies produced during her time at the University of Virginia (UVA) in the summers from 1912 to 1916, and will include several key sketches and paintings as well as other works demonstrating her developing style. This is the first time the watercolors have been on view outside the Georgia O’Keeffe Museum in Santa Fe, New Mexico. 

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Highlights from the Collection of Heywood and Cynthia Fralin
Oct
19
to Jan 27

Highlights from the Collection of Heywood and Cynthia Fralin

This exhibitions features works from the collection of Heywood and Cynthia Fralin, major collectors of 19th- and early 20th-century American art, donated to the University of Virginia is 2012. The collection includes works by John Singer Sargent, Mary Cassatt, Robert Henri, Reginald Marsh and many other notable artists of the period. The couple initially responded to the work by the artists of the Ashcan School, who sought to capture gritty urban scenes to document modern times, but their collection expanded to incorporate a range of artists with diverse stories to tell about the American experience. This installation of highlights from The Fralin family’s collection will round out an exhibition season celebrating American art, a particular strength of the Museum.

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Ubuhle Women: Beadwork and the Art of Independence
Oct
18
to Feb 24

Ubuhle Women: Beadwork and the Art of Independence

Ubuhle Women: Beadwork and the Art of Independence features the ndwango (“cloth”), a new form of bead art that has been developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. The artists use colored Czech glass beads to transform the flat black cloth into a contemporary art form of remarkable visual depth. Using skills handed down through generations and working in their own unique style “directly from the soul,” the Ubuhle Women create abstract as well as figurative subjects for their ndwangos. Twenty individual ndwangos and one monumental artwork will be on view, as well as photographs of the Ubuhle artists taken by renowned South African photographer Zanele Muholi.

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The Beyond: Georgia O’Keeffe and Contemporary Art
Oct
13
to Jan 20

The Beyond: Georgia O’Keeffe and Contemporary Art

  • North Carolina Museum of Art (map)
  • Google Calendar ICS

The Beyond: Georgia O’Keeffe and Contemporary Art brings together a significant group of O’Keeffe’s works as the centerpiece of an exploration of her continued force as a touchstone for contemporary art. Viewers encounter paintings and sculpture by this founder of American modernism alongside works by emerging artists that evoke and expand upon O’Keeffe’s enchanting artistic language.  The Beyond introduces audiences to a new generation of American artists, providing a fresh look at O’Keeffe through the lens of contemporary art.

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Nordic Impressions: Art from Åland, Denmark, the Faroe Islands, Finland, Greenland, Iceland, Norway, and Sweden, 1821–2018
Oct
13
to Jan 13

Nordic Impressions: Art from Åland, Denmark, the Faroe Islands, Finland, Greenland, Iceland, Norway, and Sweden, 1821–2018

  • The Philips Collection (map)
  • Google Calendar ICS

Nordic Impressions is a major survey of Nordic art spanning nearly 200 years and presenting 53 artists from Denmark, Iceland, Finland, Norway, and Sweden, as well as the self-governing islands of Åland, Faroe, and Greenland. The exhibition celebrates the incredible artistic diversity of Nordic art, from idealized paintings of the distinctive Nordic light and untouched landscape to melancholic portraits in quiet interiors and mesmerizing video works that explore the human condition. While the question of what constitutes a distinctively Nordic art has been a constant debate, the art in the exhibition retains a certain mystique and focus on themes that have held a special place in Nordic culture for centuries: light and darkness, inner life and exterior space, the coalescence of nature and folklore, and women’s rights and social liberalism.

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John Borden Evans: New Paintings
Oct
12
to Nov 11

John Borden Evans: New Paintings

Exhibition of new paintings by John Borden Evans.

“These paintings grow out of the painting process. When I begin, I have no idea what the finished painting will look like. Lately my paintings have transformed themselves into imaginary views of the world around our house in North Garden, Virginia. These paintings are like memories that I have uncovered hidden in the many layers of acrylic paint.”

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Japan Modern: Photography from the Gloria Katz and Willard Huyck Collection
Sep
29
to Jan 21

Japan Modern: Photography from the Gloria Katz and Willard Huyck Collection

  • Arthur M. Sackler Gallery (map)
  • Google Calendar ICS

Celebrating the Freer|Sackler’s recent acquisition of a major Japanese photography collection, this exhibition features a selection of works by groundbreaking twentieth-century photographers. Whether capturing evocative landscapes or the gritty realities of postwar Japan, this presentation focuses on Japanese artists’ search for a sense of place in a rapidly changing country. The images highlight destinations both rural and urban, in styles ranging from powerful social documentary to intensely personal. A selection of photobooks and experimental films adds to this multifaceted exploration. 

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Between Worlds: The Art of Bill Traylor
Sep
28
to Mar 17

Between Worlds: The Art of Bill Traylor

  • Smithsonian American Art Museum (map)
  • Google Calendar ICS

Between Worlds: The Art of Bill Traylorsituates Traylor as the only known artist enslaved at birth to make a significant body of drawn and painted work. His compelling imagery charts the crossroads of radically different worlds—rural and urban, black and white, old and new—and reveals how one man’s visual record of African American life gives larger meaning to the story of his nation.

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when the water rises: recent paintings by Julie Heffernan
Sep
22
to Dec 30

when the water rises: recent paintings by Julie Heffernan

  • Virginia Museum of Contemporary Art (map)
  • Google Calendar ICS

Julie Heffernan’s recent paintings create alternative habitats in response to environmental disaster and planetary excess. With rising waters, she imagines worlds in trees or on rafts in which undulating mattresses, tree boughs, and road signs guide the journey. Construction cones interrupt the landscape signaling places to stop, enter tiny interior worlds, and reflect on the human condition—its feckless activity, violence, failure, and redemption. Heffernan tends these alternative environments to safeguard bounties we cannot live without. In other moments, she names names and points fingers to those people and activities implicated in recent calamities of both the physical and socio-political environment. Intricately wrought, Heffernan’s paintings evoke the fantastical allegory of Hieronymus Bosch and the sublime of Thomas Cole and Albert Bierstadt.

Julie Heffernan received her MFA in Painting from Yale and a BFA from the University of California, Santa Cruz. Heffernan has received numerous grants including an NEA, NYFA, and Fullbright Fellowship and is in the collection of major museums including the Brooklyn Museum of Art and the Virginia Museum of Fine Arts. She is represented by P.P.O.W  in New York and Catharine Clark in San Francisco. Heffernan is a Professor of Fine Arts at Montclair State University.

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From Ansel Adams to Infinity
Sep
21
to Jan 27

From Ansel Adams to Infinity

  • Chrysler Museum of Art (map)
  • Google Calendar ICS

Adams’ stunning black and white photographs of the Yosemite Valley and other dramatic Western sites are renowned for their unprecedented luminosity and tonal range, refinements Adams perfected through cutting edge photographic techniques and materials.The landscapes that commanded Adams’ interest have also inspired a new generation of artists, and the show will explore Adams’ legacy by including works by contemporary photographers who investigate his photographic ideals, including Abelardo Morell, Matthew Brandt, and David Benjamin Sherry. 

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Rachel Whiteread
Sep
16
to Jan 13

Rachel Whiteread

  • National Gallery of Art (map)
  • Google Calendar ICS

As the first comprehensive survey of the work of British sculptor Rachel Whiteread (b. 1963), this exhibition brings together some 100 objects from the course of the artist’s 30 year career, including drawings, photographs, architecture-scaled sculptures, archival materials, documentary materials on public projects, and several new works on view for the first time. The exhibition also features the wide range of materials utilized by the artist from plaster to rubber, concrete, resin, and paper. Ranging in scale and effect from the monumental to the modest, Whiteread’s sculptures memorialize everyday objects, domestic interiors, and public spaces. Throughout her celebrated career, Whiteread has effectively recast the memories of these locations and objects to chart the seismic changes in how we live, from the late 20th century and into the 21st. Co-organized with Tate Britain, the exhibition is accompanied by a catalog with contributions by the exhibition’s curators, an interview with the artist, and additional scholarly essays.

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Jenni Kemarre Martiniello: Freshwater Saltwater Weave
Sep
15
to Oct 15

Jenni Kemarre Martiniello: Freshwater Saltwater Weave

  • Kluge-Ruhe Aboriginal Art Collection (map)
  • Google Calendar ICS

Freshwater Saltwater Weave is a series of glass works by contemporary urban-based Arrernte artist Jenni Kemarre Martiniello. Her works in hot blown glass, coldworked glass and canes are inspired by the aesthetics of Aboriginal woven forms, such as dilly bags, eel traps, fish traps and fish scoops.

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Sean Scully: Landline
Sep
13
to Feb 3

Sean Scully: Landline

A major highlight of the 56th Venice Biennale, Sean Scully’s acclaimed Landline series makes its U.S. debut at the Hirshhorn Museum and Sculpture Garden. Featuring never-before-seen artworks from the renowned series, Sean Scully: Landline presents a dramatic shift in the work of one of today’s most influential artists. With thick, gestural brushstrokes and loose bands of color, the Landline paintings show Scully’s transition away from his earlier hard-edged minimalism to his current, more expressive style, a style that no doubt elicits the beauty and brilliance of the natural world. ​​​​​​​

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Excavations: The Prints of Julie Mehretu
Aug
31
to Dec 16

Excavations: The Prints of Julie Mehretu

  • The Fralin Museum of Art (map)
  • Google Calendar ICS

Organized by Highpoint Center for Printmaking

Excavations: The Prints of Julie Mehretu is a spectacular collection of Mehretu’s work in the medium of printmaking. Best known for her large-scale paintings and drawings, Mehretu layers maps, urban planning grids and architectural renderings with whorls of abstract markings and bright, colorful shapes. In her catalog essay, Siri Engberg traces this visual vocabulary back to Mehretu’s graduate studies at Rhode Island School of Design, where she first worked with intaglio printmaking and was inspired by the necessity of breaking imagery down into its component layers. Since that time, the artist has experimented with many processes including chine collé, screenprinting and lithography. Mehretu has completed collaborative projects at professional printmaking studios across the country, among them Highpoint Editions, where she produced Entropia (review) and Entropia: Construction.

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Ezra Wube: Tales of Home
Jul
22
to Dec 30

Ezra Wube: Tales of Home

  • Chrysler Museum of Art (map)
  • Google Calendar ICS

Ezra Wube: Tales of Home presents a group of five stop-motion animation videos of New York-based, Ethiopian artist Ezra Wube. The shorts feature vignettes about urban life in Addis Ababa, Ethiopia and visual depictions of Ethiopian oral folktales. The artist uses a range of material, including paint, paper cut-outs, seeds, plants, and photography, to create intriguing films highlighting daily life in Ethiopia’s largest city and fantastical, oral folk tales from the artist’s youth.

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Sense of Humor
Jul
15
to Jan 6

Sense of Humor

  • National Gallery of Art (map)
  • Google Calendar ICS

Drawn from the National Gallery of Art’s collection of prints and drawings, Sense of Humor celebrates this incredibly rich though easily overlooked tradition through works including Renaissance caricatures, biting English satires, and 20th-century comics. The exhibition includes major works by Pieter Breughel the Elder, Jacques Callot, William Hogarth, James Gillray, Francisco de Goya, and Honoré Daumier, as well as later examples by Alexander Calder, Red Grooms, Saul Steinberg, Art Spiegelman, and the Guerrilla Girls. 

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Baselitz: Six Decades
Jun
21
to Sep 16

Baselitz: Six Decades

Baselitz: Six Decades is the first major US retrospective in more than twenty years of one of Germany’s greatest living artists. With more than 100 works highlighting every phase of Baselitz’s six-decade career from the 1950s to today, this milestone exhibition features work never before seen in the U.S. and cements Baselitz’s reputation as one of the most original and inventive figurative artists of his generation. For the first time, US audiences can experience the full scope of Baselitz’s powerful explorations of the human figure, as well as the influence of American artists on his early work and his continued impact on contemporary American painting and sculpture. Baselitz’s creative genius, combined with his message about the inherent strength of the everyday human condition, make this exhibition particularly compelling.

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Trevor Paglen: Sites Unseen
Jun
21
to Jan 6

Trevor Paglen: Sites Unseen

  • Smithsonian American Art Museum (map)
  • Google Calendar ICS

Trevor Paglen: Sites Unseen is a mid-career survey, the first exhibition to present Paglen’s early photographic series alongside his recent sculptural objects and new work with AI. It carries on the long history of programs by the Smithsonian American Art Museum examining America’s changing relationship to the landscape. With this presentation, SAAM is contributing to the important and ongoing conversation about privacy and surveillance in contemporary society.

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NGERRINGKRRETY: One Voice, Many Stories
May
25
to Jul 27

NGERRINGKRRETY: One Voice, Many Stories

This summer, three exhibitions of Aboriginal art by one of Australia’s leading contemporary artists, Regina Pilawuk Wilson, will be on view in Charlottesville and Washington, D.C. 

This solo exhibition of Regina's work at Second Street Gallery features paintings on canvas and paper, as well as fiber works and prints. The inspiration for Wilson’s works come from the traditional weaving practices of her people. In shimmering detail, Wilson recreates weaving techniques in paint on canvas—stitch by stitch—creating luminous rhythmic abstractions.  Wilson’s large-scale masterworks, which have brought her international acclaim, will be exhibited alongside her virtuosic fiber-works that show both the innovation and strength of tradition in contemporary Aboriginal art.

Regina Pilawuk Wilson’s artwork will also be on view this summer at the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia in Charlottesville, Virginia and at the Phillips Collection in Washington, D.C. in the Marking the Infinite exhibition of Aboriginal paintings by established women artists.

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You Are Here: Light, Color, and Sound Experiences
Apr
7
to Jul 22

You Are Here: Light, Color, and Sound Experiences

  • North Carolina Museum of Art (map)
  • Google Calendar ICS

You Are Here features immersive art installations by 15 contemporary artists, including large-scale light works, sound installations, video works, mixed-media room-size environments, and site-specific projects. Some are delightfully low-tech, transforming ordinary materials into awe-inspiring visuals, while others make use of experimental new media, fusing art and technology in interactive works that change in response to the viewer. 

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No Spectators: The Art of Burning Man
Mar
30
to Jan 21

No Spectators: The Art of Burning Man

Each year in Nevada’s Black Rock Desert, a city of more than 70,000 people rises out of the dust for a single week. During that time, enormous experimental art installations are erected and many are ritually burned to the ground. The thriving temporary metropolis known as Burning Man is a hotbed of artistic ingenuity, driving innovation through its principles of radical self-expression, decommodification, communal participation, and reverence for the handmade. Both a cultural movement and an annual event, Burning Man remains one of the most influential phenomenons in contemporary American art and culture.

No Spectators: The Art of Burning Man brings the large-scale, participatory work from this desert gathering to the nation’s capital for the first time. The exhibition takes over the entire Renwick Gallery building and surrounding Golden Triangle neighborhood, bringing alive the maker culture and creative spirit of this cultural movement.

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Art Field Trip: Cézanne Portraits
Mar
25
to Jul 1

Art Field Trip: Cézanne Portraits

  • National Gallery of Art (map)
  • Google Calendar ICS

Cézanne Portraits is the first exhibition devoted to the famed post-impressionist’s portraits. The exhibition explores the unconventional aspects of his portraiture, the role his portraits play in the development of his radical style and method, and the range and influence of his sitters. Rather than accepting commissions for portraits, Cézanne painted them as part of his ongoing experimentation as he searched for a pictorial language to capture his intense perceptions of the world. He rarely painted people he did not know; instead he portrayed himself, his family, his friends, art world admirers, and working-class inhabitants of his native Aix-en-Provence with whom he felt an affinity.

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Do Ho Suh: Almost Home
Mar
16
to Aug 5

Do Ho Suh: Almost Home

  • Smithsonian American Art Museum (map)
  • Google Calendar ICS

Do Ho Suh’s immersive architectural installations—unexpectedly crafted with ethereal fabric—are spaces that are at once deeply familiar and profoundly alien. Suh is internationally renowned for his “fabric architecture” sculptures that explore the global nature of contemporary identity as well as memory, migration, and our ideas of home. Do Ho Suh: Almost Home is the first major exhibition of the artist’s work on the East Coast. It features large-scale installations of the artist’s brightly hued “Hub” sculptures—intricately detailed, hand-sewn fabric recreations of homes where Suh has lived from around the world—along with several drawings and a series of semi-transparent replicas of household objects called “Specimens.” The Hubs comprise a series of conjoined rooms and passageways that visitors can enter and experience from the inside, including a new work depicting the artist’s childhood home in Seoul that will debut in the exhibition.

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